At first light, one trumpet-like sound blasts one note across the sleeping valley and a clattering chorus of response erupts. The herald is bold, insistent but with no sense of oratory: no rhyme, no respect for time (or timing), neither is there harmony, nor any perceptible musical pattern. This is the sound of the neighbourhood murder, shattering, definitively, night from day.
The contrast between these sounds splitting heaven and the sight of the delicate and serene majesty of the sakura in bloom, is striking. The white-pink snow storm clouds like candy-floss trees, as in a dream. Being the neighbourhood of Crow Castle, there is, naturally, a resident crew of brassy, jet-black guardians, gangster-rough and full-voiced. Particularly potent in the spring, they carry on all the live-long day, keeping you, slightly irritated, grounded.
Classically, because the blossoming season is so short, we are given to meditations on mono no aware — the temporal nature of things, the brevity of life, the passing of beauty, the limits of our incarnation, possibly dreaming of what lies beyond what can be seen and known. Raucous bacchanalia ensue, following a certain logic. The trees, revived from winters’ rest, reach for heaven; the crows remind us that, for the time being, we are of the earth. Spring invites us to show up, to embrace liminality: here we are between heaven and earth.
For most institutions in Japan, April is the season of new beginnings. The new academic year starts, without a trace of irony, on April first. I’ve grown to appreciate the arc of the timing. It’s good to be opening and growing with the light and to be winding down and finishing, fully absorbed, in the dark. Surely, for new beginnings we have the most energy for transformation having emerged from wintery realms.
A breeze picks up and I enjoy my favourite seasonal sight of all: swarms of petals looking for all the world like butterflies!
As the part of the planet I inhabit tilts toward the sun, Crow Castle, visible for half the year from the living room window, disappears, first behind a burgeoning veil of sakura where its outline gradually fades from view, then, soon, to be completely obscured behind a wall of fresh green foliage. Whiskers of green already hint at what is to come, just as the tight knots of rust-coloured buds did for the glorious tide of blossom that’s now washed up. This rhythm of revelation and hiddenness that the changing of the seasons brings is precious; a visible metaphor I grow slowly to understand.
The Castle and its daydreams fade into the background as the beauty of the trees begins to flourish and appears to come nearer. In the autumn and the winter, I dream with the castle of higher things. Preparing to no longer see it through the bare branches means, I take it, that the time has come to get to the work of manifesting.